B+W 1057396 Fiche technique



10For this high-end polarizing  lter the foil pieces are selected individually for maximum color neutrality. Followi

11Radiant white clouds against a deep blue sky or saturated fall colors are no coincidence. Polarizing lters block the bluish gray veil from the diff

12Gray lters or neutral density (ND) lters are used if too much light re-stricts creative possibilities. They reduce the light in accordance with th

1This quite strong gray  lter reduces the light by up to three f-stops, equivalent to a  lter factor of 8x. It offer

14With +4 diopters this close-up lens is pretty powerful. With a focal length of 0 mm it attains an image scale of approx. 1:.

1Without a close-up lens the minimum focus is usually not sufcient Close-up lenses reduce the minimum focus, producing clear detailsWould you like t

16The term “soft focus attachment” does not do justice to this soft lter. The lter delivers sharp pictures which are softly overlaid with unsharpnes

1A special soft focus attachment with irregularly distributed micro-lenses on precisely plane-parallel clear glass.

18Extremely well de ned clouds and a full-bodied instead of milky tone in the sky – this already stronger grad-uat

1Gray graduated lters are colorless and compensate excessive contrasts between the sky and the landscape. Clouds gain denition, sky blue acquires d



These two special lters perform contrasting tasks. The UV/IR Blocking Filter 486 blocks unwanted ultraviolet and infrared light components that can p

21This  lter blocks visible light (up to 800 mm) almost completely. It is dark red, almost black. With analog I

22The trend towards ultra-compact design in (zoom) lenses does not always leave enough room for a normal 

2The quality of high-grade lters is determined by various criteria. Many pho-tographers are aware that the plane parallelism and transmission proper

24If photo equipment is to include lenses with different  lter thread di-ameters, the B+W adapter rings can adapt  lters

2Collapsible lens hoods are made of high-grade rubber. Their advan-tage compared to  xed lens hoods made of plastic or met

26Hard plastic cap with two spring-loaded plastic claws opposite each other that engage the front thread of the

2These  lter pouches are made of padded, heavy-duty and water-re-pellent nylon fabric with practical Velcro fasteners and

28                                                  

2                                                           



0M 4.0 x 0.M 2.0 x 0.M .0 x 0.M 8.0 x 0.M 60.0 x 0.M 62.0 x 0.M 6.0 x 0.M 2.0 x 0.M .0 x 0.M 82.0 x 0.

1PublisherJos. Schneider Optische Werke GmbHBusiness Unit B+W FiltersRingstraße 132 | D-55543 Bad Kreuznachwww.schneiderkreuznach.comCopyIdeaTorial R

Jos. Schneider Optische Werke GmbHBusiness Unit B+W FiltersRingstraße 12 | D-4 Bad KreuznachTel.: +4 61 601122Fax: +4 61 60102lter@schneide

4Particularly in digital photography, B+W  lters are important tools for im-proving image quality.

Behind the globally recognized B+W lter quality is a continuous process of optimization and quality control which already begins with the raw glass

6The important role played by the lter mount and its mechanically complex task are often underestimated. Although mounts are supposed to x the high

Close-up and macro lenses provide a simple way of exploring new motif worlds. With infrared lters you make the invisible visible and create artisti

8This  lter ful ls the desire of many photographers for pure lens protec-tion without a  lter effect. Its only funct

UV 010 MRC: Front lens protection and more brillianceActive photography demands a great deal of cameras and lenses. It there-fore makes sense to prot